Tales of Hoffmann | Сказки гоффмана

Интерактивная инсталляция (видео ниже), постороенная на взаимодействии зрителя с видео-средой. Сказки Гоффмана – мир, где у героя смещена граница между реальностью и вымыслом. Каждый посетитель, оказавшийся в пространстве комнаты, попадает через видео захват в пространство фильма, который состоит из видеосъёмки крупных планов театрального макета и смонтирован с иллюстрациями, и проецируется на стену. Таким образом, посетитель, оказывается на фоне неба или внутри замка. Движение зрителя в пространстве комнаты галлереи преобразовывается в компьютерные данные и обрабатывается в реальном времени. Тогда можно увидеть себя падающим вниз с крыши замка (как в “Вертиго” Хичкока), или рассыпающимся на мелкие частички радужного калейдоскопа.

Research
Poster | Постер
Model-box | Макет “Сказки Гоффмана”
Illustration | Иллюстрация
Shoots from the film based on model-box and illustrations | Кадры из фильма, комбинирующего съёмку макета и иллюстрации
A part of space of the interactive video-installation. The monitor translate the same film as to the next wall.
Beeing a visitor to a space of absent hero, a spectator becomes a participant of the story, involving to the immaterial world of it.
The arches create a way-tounnel towards a shooting visitors camera.
A body which isn`t in film captured by camera..
Without a visitor, these film projected a parts of the model-box which aim to reflect Hoffmann`s ( not existing hero of the performance) environment.
…and found itself within the film environment.
A visitor is a witness of his own occurance which happen mostly with representation of him. Like in “Vertigo” by A.Hitchcock , the captured body of the visitor rotate and scale within the building.
..following all the conditions of not existing hero.
captured by camera, a visitor might be moved and rotate by programm…
Without a visitor, these film projected a parts of the model-box which aim to reflect Hoffmann`s ( not existing hero of the performance) environment.

The present work focuses on a sensation of movement in scenography based around contact between the performance environment and audience environment. How to immerse the audience in the occurence and move them by the environment, but also to give them an opportunity to change that environment by their movement inside the space? The work explores a combination of real environment as event with audience, experienced that event , and fictional environment (projected by video) with audience dislocated by camera and the projector inside the fiction in real time. With interaction a digital space becomes a sensor environment. Compositions using the audience and controlled by the audience, produce a kind of live organism.This is a theatre based on the exchange of stimuli. The exchange of place implies possibilities for a dialogue between the audience and the environment. This negotiation happens by their alternate or simultaneous changing of environment.

“…the eyes` perspective is canted with the plans that everywhere refuse the vertical,nowhere come to rest in the horizontal. The body, or rather its interjected projection, is relentlessly impelled forward at warped speed, as if suspended in the virtual frames of “Doom”, with gravity – bending contortions that seem to defy Neitzsche`s aphoristic invocation of the end of the perspective: “we can not see around our own corner”.
Anthony Widler “Warped space”.

“Я посадил тебя, сегодня созданного мной, в несуществовавшую до сего момента удивительную комнату, тоже созданную мной.В этой комнате12 стен…Сочетая снимки стен и деталей друг с другом, мне удалось их расположить в порядке,который тебе нравится..”
Дзига Вертов “Киноглаз”.
Interactive video installation|
“I have placed you whom I created today,in an extraordinary room which did not exist until just now when I also created it. In this room there are twelve walls shot by me in various parts of the world. In bringing together shots of walls and details,I`ve managed to arranged them in an order that is pleasing and to constract with intervals correctly, a film-phrase which is the room.”
Dziga Vertov “Kino-eye”.